Thursday 13 September 2012

Analysing Madonna's 'Vogue' Music Video- Using Goodwin's Theory


1. Music videos demonstrate genre characteristics

- Madonna's genre of music is pop. The name of the song, Vogue, is a highly stylized, modern house dance. Evolving from the Harlem Ballroom Scene in the 1980s. Madonna was very clever at catching onto popular underground crazes of the time, popular in the gay community, which could be why Madonna used an all men dancing cast. Critics noted the way Madonna used her postmodern influence to identify the new underground subculture movement to the masses. Typically in a pop music video it has a choreographed dance routine with the main artist taking centre stage with backing dancers.


2. There is a relationship between lyrics and visuals
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- Goodwin noticed a similarity and direct contrast with what is shown in the video and the lyrics of the song. In this video we can see the choreographed dancing, named Vogueing, and the lyrics matching, (1st image: Beauty's where you find it, Not just where you bump and grind it) & (2nd image: Come on Vogue, Let your body move to the music, Come on Vogue, Let your body go with the flow, you know you can do it.) The use of this connects the audience to the video and does not need to much thinking power.

3. There is a relationship between music and visuals

- This is where beats or rhythm of the song are edited in time to the visuals of the video. At the beginning of the video we have a smooth beat with a little drum of a bongo and then a click of the fingers: drum drum, click, drum drum, click... as the beat of the song carries on the visuals change to a different clip of someone slowly moving on every click of the beat.

4. The demand of the record label will include the need for lots of close ups of the artists.

- One way in which record labels like to sell their artists, particularly females, is to show them regularly throughout the video (often in a provocative manner). The use of close-up provocative shots is a way of enticing a male audience. In this video we see the iconic fashion item which is Madonna's, cone bra, expressing her femininity.

5. Voyeurism- Frequent notion of looking

Throughout the video Madonna has extreme close up shots looking into the camera, which gives a direct approach, as if she is singing to the audience.

6. Intertextual reference

The whole video is shot in black and white taking stylistic inspiration from the Art Deco movement in the 1920s and 30s, it has the look of films and photographs from the Art Deco movement, making it look unique stylised. It also plays homage to the numerous Golden Era Hollywood actresses and actors. Later on in the video Madonna goes on to, almost rap, about famous actresses and actors from the 1920s and 30s.

Not only is the look of the video inspired by the Golden Era in Hollywood in the 1920s and 30s but a lot of the scenes in the video are recreations of photographs, taken by photographer Horst P. Horst.



2 comments:

  1. A proficient analysis linking this iconic music video to Goodwin's Theory.

    There are plenty of self consciously voyeuristic close up shots of Madonna particularly of the lips and mouth as you've noticed but you could've made more of the intertextual references.
    Note the visual style of the music video which references the noir style of 1930's and 40's Holly wood musicals of Busby Berkely. You could check some of these out on You Tube.

    Also in the lyrics are explicit references/tributes to great Hollywood stars such as Marlene Dietrich; Greta Garbo, Rita Hayworth ( post the clip from Gilda where Hayworth sings "Put the Blame on Mame" ). Note the similar visual style which Madonna uses in this post modernist music video. Also mentioned are Grace Kelly and Joan Crawford Ginger Rogers & Fred Astair (clips on you tube) If you were to post images, or screen shots or video footage of these stars you will greatly strengthen your post.
    Note Madonna is representing herself as a femme fatale and using the noir style, think about the work we did last year on noir thrillers and generic female archetypes. This, with added commentary comparng these images with aspects Madonna's music video (to include costume and staging)could place this analysis at Level 4. I can help in class.

    You will enjoy the research tremendously. And let's face it the lyrics are pointing you on your way.


    Re audience, all the stars Madonna mentions are like Madonna gay icons. I once went to a show many years ago in the West End with Gigner rogers performing and the audience in the theatre was predominantly gay men.

    I look forward to you adding to this post and thus constructing a very interesting case study on the way Madonna uses intertextuality in her music video/s.

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  2. Typing error in my last post...whoops.
    I said....Re audience, all the stars Madonna mentions are like Madonna gay icons. I once went to a show many years ago in the West End with Gigner rogers performing and the audience in the theatre was predominantly gay men...
    I am referring to Ginger Rogers!!!! My brain is lagging behind my typing!!!

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